An early work (non-algorithmic) in black and white.
102 × 125 cm
Tempera on canvas
Mohrs early artistic work was influenced by atonal music, modern Jazz and abstract expressionism. The art of K.H. Sonderborg gave me a profound visual guidance and the understanding of Max Bense’s philosophy a unique direction. As a consequence, geometry and the reduction of my visual vocabulary to black and white as binary decisions, took more and more importance in my work after 1963.