One of early paintings by Norman White where he realised his interest in Gestalt perception.
Simple patterns of forms intertwine to such an extend that the impression produced resembles a labyrinth.
Figuratively, the forms were reminiscent of images of cables, so that a direct comparison to later electrokinetic works could develop – for example to the visible reverse of Blue-Green-Machine.
(Herzogenrath & Lähnemann 2009:19)