»The new art must be based upon science — in particular, upon mathematics, as the most exact, logical, and graphically constructive of the sciences.«

Paul Klee

Peter Kreis, Compart Nr. 11, 1970

Manfred Mohr
Bild 251/66
1966
Manfred Mohr
P-707/C11
2001
Jürgen Brickmann
Blauer Nebel
1988
Ben F. Laposky
Oscillon No. 3 (Electronic Abstraction)
Norman White
Matrix One
1970
Charles Jeff Bangert
artist
Vincent Baby
author
Eugenio Carmi
Kenneth C. Knowlton
artist / author
✲ 1931
Wolfgang Schneider
author / curator
✲ April 3, 1945
Jiří Valoch
author / curator
✲ 1946
Tendencies 4 (1969), Retrospective of NT 1 – NT3 and Recent Examples of Visual Research
The Jewish Museum
Software – Information Technology: Its New Meaning for Art
September 16, 1970 - November 8, 1970
Studio Frankfurt
Konstruktive Tendenzen aus der Tschechoslowakei
November 3, 1967 - December 15, 1967
Musée d’Art Moderne de la Ville de Paris
Electra / 83
Cybernetic Serendipity, or The Computer and the Creative Process in London
1968
Josef Albers
Formulation : Articulation
2006
Interface
Digital Art Museum [DAM] Berlin (Germany) cultural institution, general
Galerie Kolo Gdansk (Poland) gallery
Polytechnic of Central London London (England) educational institution, general
Apple, Inc. California (United States) industrial company
Atelier de Recherche Esthétique à Caen scientific institution, general
Forum Konkrete Kunst Erfurt cultural institution, general
Apple, Inc. California (United States) industrial company