1924 |
Born in Zagreb, Croatia. |
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In Zabreg, graduated from high school and painting class of famous artist Antun Motika. |
1943 |
Srnec enrolled in the Academy of Fine Arts in Zagreb. During the first year of his studies with his colleagues Ivo Kalina and Ivan Picelj, he founded the Ipikas art group, named after its members’ initials. |
1948 – 1951 |
Together with Vjenceslav Richter and Ivan Picelj, he worked on the design of Yugoslav exhibitions and pavilions at industrial and cultural fairs in Yugoslavia and abroad (People’s Republic of Croatia Book Exhibition, Industry of the P.R. of Croatia in Zagreb, Brotherhood and Unity Highway in Zagreb and Belgrade, projects for Yugoslav pavilions at fairs in Stockholm, Vienna, and Hannover). |
1951 |
Together with Ivan Picelj and Božidar Rašica, he has founded a group of artists and architects named Exat 51. |
1952 |
Srnec, Picelj, and Rašica exhibited their works at the 7th Salon des Réalites Nouvelles. |
1952 |
Srnec has executed the abstract drawing Lines, a crucial work for the development of his art. |
1953 |
He transferred the two-dimensional play of lines into the three-dimensional body of an object called Spatial Modulator. |
1956 |
Started to experiment with mobile sculptures and reliefs. Srnec made his first reliefs in painted wood by the end of the fifties and from 1960 onwards he began working in aluminum, other metals, and plexiglass. |
1955 |
Srnec intensified his work with collage. |
1959 |
Together with Ivan Picelj and Vojin Bakić, he exhibited his works at the Denise René Gallery in Paris, and in 1960 and 1961 at Drian Gallery in London. |
1959 – 1960 |
Srnec was active collaborator of the Zagreb School of Animation, where he made three set designs for puppet films and, together with Dragutin Vunak, the animated film Man and Shadow (1960). |
since 1962 |
The experience of working on a new medium inspired him to examine the possibilities of light in movement which led him to lumino-kinetic research. |
1963 |
Made the film Beginnings, a series of different dynamic light patterns unified into a film. |
1969 |
Srnec exhibited the first and the second variant of Luminoplastic and created total lumino-ambiences in which light was projected from one or more sources onto structure propelled by electric motors generating visual effects. He also filmed his luminoplastic objects (Luminoplastic 66), at the exhibition in the Contemporary Art Gallery (today’s Museum of Contemporary Art). |
1974 – 1977 |
Srnec created kinetic sculptures in highly polished metal. |
1978 |
Individual exhibition of the kinetic sculptures at the Nova Gallery in Zagreb. |
1969 |
Republic Vladimir Nazor Award for Sculpture. |
1971 |
The Josip Račić Award for Visual Arts. |
1973 |
Second prize at the 1st Yugoslav Biennial of Small Sculpture in Murska Sobota. |
1974 |
Sculpture award at the 9th Zagreb Salon. |
1975 |
Grand Prix at the 3rd International Biennial of Small Sculpture in Budapest. |
1999 |
Srnec has received the Vladimir Nazor Award for life achievement in the field of visual and applied art. |
2008 |
Srnec was awarded with Croatian Association of Visual Artists Award for life Achievement. His retrospective was organized by Marinko Sudac collection in Varaždin in 2008 followed by its repetition as the first one man show at new building of the Museum of Contemporary Art in Zagreb in 2010. Aleksandar Srnec has passed away one month after Retrospective’s closure. |