1949 |
Diploma Art Institute of Pittsburgh. |
1955 |
BA, Philosophy St Vincent College, Latrobe, Pa. |
1953 – 59 |
Theology St Vincent Seminary, Latrobe, Pa. |
1961 |
MFA Pratt Institute, Brooklyn. |
1961 – 62 |
Art History NYU and Columbia. |
1962 – 63 |
Printmaking, Hayter’s Atelier 17, Paris. |
1968 |
Faculty, Minneapolis College of Art & Design |
1975-78 |
Academic Dean. |
1988-1991 |
Chairman, Liberal Arts. |
1994 |
Professor Emeritus. |
1969 |
Participant, Ekistics Institute, Athens. |
1969 – 1971 |
Humanities Consultant, The Tetra Corporation, Minneapolis. |
1970 |
Visiting Scholar as Bush Leadership Fellow, Center For Advanced Visual Studies, M.I.T. |
1985 |
Visiting Professor, Zhejiang Academy of Fine Arts, Hangzhou, PRC (renamed: China Art Academy) |
1992 – 93 |
Program Director, Fourth International Symposium on Electronic Art (FISEA ’93), Minneapolis. |
1992 – 96 |
Board Member, Inter-Society for Electronic Art (ISEA). |
1998 |
International Advisor, Inter-society for Electronic Art. |
2005 |
Advisory Board, International Symmetry Association. |
1970 |
Bush Leadership Fellow. |
1971 |
Outstanding Educators of America. |
1974 |
Outstanding Educators of America. |
1993 |
Prix Ars Electronica, Honorary Mention. |
1994 |
Golden Plotter, First Prize, 1994, Gladbeck, Germany. |
1995 |
ARTEC ’95, Recommendatory Prize. |
2006 |
Nominated for the ddad.velop digital art award. |
2009 |
SIGGRAPH Disitinguished Artist Award for Lifetime Achievement.
|
1996 – 1997 |
Mural – Epigenesis: Growth of Form , consisting of 11 panels spanning 40 feet for the new Science and Engineering Center, University of St. Thomas, St. Paul. Installed in August, 1997.
/1998/ The Manchester Illuminated Universal Turing Machine, 1998. A serial edition of pen plotted works including a binary text illuminated with gold and a family of algorithmically generated forms. Each piece in the edition is one-of-a-kind in the family. The “text” is a binary version of a Universal Turing Machine. For more on this binary algorithm see the web version presented as a Self Portrait of the machine with which it is viewed. |
2000 |
Two Thousand Scarabs: Marking Two Thousand Years . Each work contains 2,000 algorithmically generated scarab-like forms. Each of the 2000 scarabs is unique without any repetitions. Series under execution: 1999-2000. |
2004-2006 |
Flowers of Learning, Spalding University, Academic Learning Center,Louisville, Kentucky, USA. Permanent installation of seven algorithmic pen & ink drawings presented as a cyberflower garden. |
2007-2008 |
WIM: The upsidedown mural, Eleven 4 ft by 8 ft panels with highly imaginative drawings rise two stories inside the main entrance of the Fred Rogers Center for Early Childhood Media, St. Vincent College, Latrobe, PA., USA. |
1986 |
Magic Hand of Chance. Centennial Version, Algorithmically generated text and image sequences displayed on a 25 inch Sony XBR cabled to a PC. Centennial Exhibition, MCAD Gallery. |
1982 – 86 |
.Magic Hand of Chance Four algorithmic sequences shown at various non-conventional local venues from 1983-1985. This included a continuous showing in the storefront window of a new computer service and parts store opened in downtown Minneapolis by John Scobee (1983) and various educational events related to emerging technologies. * |
1988 |
Pathways: Robotic Paintings and Drawings. Benedicta Arts Center, College of Saint Benedict, St. Joseph, Minnesota. |
1988 – 1990 |
CRASH, Wright Museum of Art, Beloit. |
1989 |
Pathways: 25 Years From Brush to Plotter. February, Honeywell Corporate Gallery, Minneapolis. Solo.
The Technological Imagination: Machines in the Garden of Art, Intermedia Arts Minnesota and MCAD. |
1990 |
“SIGGRAPH ’90 Art Show”, Dallas. (touring show). |
1991 |
Fourth National Computer Art Invitational, originating at Eastern Washington University, traveling Western States 1991-93.
Art & Algorithm – Mind & Machine, St. Sebastian Press Gallery, Minneapolis.
El Art: International Exhibition of Electronic Art, Retretti Art Center, Finland.
Interface, Art & Computer, Park Avenue Atrium, New York City.
Dada-Data: Developing Medias Since 1970, Maryland Art Place & Fine Arts Gallery (U of M), Baltimore, Maryland. |
1992 |
Imagina: Images Beyond Imagination, Digital Art Gallery, juried, Institut National de L’Audiovisuel, Monte Carlo.
SIGGRAPH ’92 Art Show, Chicago, USA (Juried).
Third International Symposium on Electronic Art, Sydney, Australia,(Juried).
Seoul International Computer Art Festival, Korea, (Invitational). |
1993 |
Electronic Media Show, Northern State University, Aberdeen, SD, USA, (Invitational).
TISEA Traveling Show, Museums at Adelaide and Brisbane, Australia.
Computer Art, Yeiser Art Center, Paducah, Ky.
Digital Salon des Independents, Cyberspace Gallery & Los Angeles New Art Foundation, West Hollywood.
Recent Epigenetic Works, (Solo) at Richard Halonen Fine Arts, Limited, Minneapolis.
Genetische Kunst – Kunstliches Leben: Genetic Art – Artificial Life, Linz, Austria.
The New York Digital Salon, Art Directors Club, NY. |
1994 |
Computer Art 94, Gladbeck, Karlsruhe, et al., Germany (traveling 1994-1995)
ISEA ’94, Fifth International Symposium on Electronic Art, Helsinki, Finland.
International Exhibition of Digital Art, Academy of Fine Arts & Design, Bratislava, Slovakia.
Computer Art: Visual Adventures Beyond the Edge, Evansville Museum of Arts & Science, Indiana.
Digital Visions, Williams Gallery, Princeton, New Jersey.
Elastic Visions, Zoller Gallery, Pennsylvania State University, University Park, (Traveling 1994-1995). |
1995 |
FAX: INDIVIDUAL BODY – INFECTED BODIES : SOCIAL BODY – CONTAMINATED BODIES, BilboGraph’95, Bilboa Spain.
“Computer Generated Art” (Solo), University of St. Thomas, St. Paul Minnesota.
ARTEC ’95, International Biennial, Nagoya City Science Museum.
The New York Digital Salon, New York City.
SIGGRAPH ’95 Art Show, August, Los Angeles, USA.
University of Vermont, Francis Colburn Gallery. |
1996 |
The New York Digital Salon, New York City.
Creativity & Cognition, LUTCHI, Loughborough, UK. |
1997 |
A Bunch of Digital Art, The College of New Jersey, Trenton, NJ.
Digital perspectives, Ukranian Institute of Modern Art, Chicago.
SIGGRAPH ’97 Art Show, August, Los Angeles, USA (traveling 1997 – 2000). |
1998 |
Fifth Annual New York Digital Salon, Visual Arts Museum, NY, 1997; Bandaluz, Madrid.
Gallery of the Future, Under Construction, Loughborough, UK.
The Digital Artist : Art, Abstraction and Algorithms, The Williams Gallery, Princeton, NJ.
Computerkunst’98, Gladbeck Germany,(traveling).
Aesthetics + Artificial Life, Center for Digital Arts, University of California. |
1999 |
Southern Graphics Council Media Exhibition, Arizona State University Computing Commons Gallery.
Ars (Dis)Symmetyrica ’99, Ernst Museum, 8 Nagymezo St., Budapest, HUNGARY. |
2000 |
Digitally Propelled Ideas. W. Keith and Janet Kellogg Art Gallery. California State Polytechnic University, Pomona.
Through the Looking Glass, Beachwood Center, Beachwood, Ohio.
Computerkunst/Computer Art 2000 at Innovationszentrum Wiesenbusch, Gladbeck (Germany). |
2001 |
Algorithmic Fine Art. Computing Commons Gallery, Arizona State University, Tempe, Arizona.
The New York Digital Salon, Selected Works, The Corning Gallery at Steuben, New York City.
The Art Institute of Pittsburgh, Alumni Show, Art Institute Gallery.
Retrospective of Digital Art, London Guildhall University, London, |
2002 |
Math and Art, Selby Gallery, Ringling School of Art and Design, 2700 N. Tamiami Trail, Sarasota, Florida, USA.
Computerkunst/Computer Art 2002 (9th International) at the Gladbeck Innovationszentrum Wiesenbusch, at Wiesenbusch (Germany) |
2003 |
ARTWARE2, digital art exhibition curated by Umberto Roncori. PUCP Cultural Center, S. Isidro, El Ojo Ajeno Galería, Lima, Perú.
SIGGRAPH 2003, Art Show, San Diego, CA..USA. Also the SIGGRAPH ’03 International Traveling Show.
CODE: THE LANGUAGE OF OUR TIME, Ars Electronica, the Brucknerhaus, Linz, Austria.
STATE OF THE ART: Maps, Stories, Games and Algorithms from Minnesota. Carlton Art Gallery, Carlton College, Northfield Minnesota.
Contemporary Art & the Mathematica Instinct, Tweed Museum of Art, University of Minnesota, Duluth Campus. |
2004 |
August 9-12, SIGGRAPH 2004 Art Show, Los Angeles, CA
Contemporary Art & the Mathematica Instinct, University Art Museums, Marsh Art Gallery, University of Richmond, Virginia.
Computerkunst / Computer Art 2004 (10th International) at the Museum der Stadt Gladbeck. |
2004 – 2005 |
Algorithmic Revolution: The history of interactive art. ZKM:Medienmuseum at the Zentrum für Kunst und Medientechnologie. |
2005 |
May 27 – July 13. Roman Verostko: Pearl Park Scriptures, [DAM] Berlin, Tucholskystrasse 37, The Digital Art Museum.
SIGGRAPH 2005, Art Show, Los Angeles, CA.
SIGGRAPH Art Gallery, Los Angeles Convention Center. |
2006 |
Form und Raum, Computerkunst Actuel, Museen der Stadt Lüdenscheid Städtische Galerie, Lüdenscheid, Germany.
THE ALGORISTS: Four Visual Artists in the Land of Newton. Verostko, Horwitz, Hébert, Dehlinger. ART, IMAGE AND SCIENCE: An initiative at the Kavli Institute for Theoretical
Physics, University of California, Santa Barbara.
MCAD Faculty at the Minnetonka Center for the Arts. Minnetonka Center for the Arts, MN.
SIGGRAPH Art Gallery, Boston, Massachusetts. Roman exhibited “Black Elk Speaks”.
Computerkunst / Computer Art 2006 (11th International) at the Innovationszentrum Wiesenbusch, Gladbeck (IWG).
20th Century Computer Art: Beginnings & Developments, The work and thought of pioneers and contemporary practitioners of algorithmic art. Tama Art University Museum, Tokyo, Japan. |
2007 |
Digital Art Museum, Tucholskystr. 37, Berlin, Germany. The Algorists: Jean-Pierre Hébert (France), Roman Verostko (USA), Mark Wilson (USA), Manfred Mohr (GER-USA), Hans Dehlinger (GER).
Feedback, Laboral Centro de Arte y Creación Industrial.
Roman Verostko’s Algorithmic Drawings. Nina Bliese Gallery, 225 South Sixth Street, Minneapolis, MN, USA.
SIGGRAPH Art Gallery, San Diego Convention Center. |
2008 |
Imaging by Numbers: A Historical View of the Computer Print, The Block Museum of Art, Northwestern University.
Concourse Gallery, Minneapolis College of Art & Design, Evolutions. |
2009 – 2010 |
Victoria & Albert Museum, Digital Pioneers. London. |